Articles in this issue

• Marlowe's Edward II as "Actaeonesque History"
  Christopher Wessman, 9.1:1-33.

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• Cold Monuments: Three Accounts of the Reception of Poetry
  John Russell Brown, 9.1:34-42.

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• Response to John Russell Brown
  Donald Cheney, 9.1:34-42.

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• Living Temples and Extemporal Song
  Frances Malpezzi, 9.1:46-50.

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• A Boy in the Listening: On Voice, Space, and Rebirth in the Poetry of Dylan Thomas
  Eynel Wardi, 9.1:190-209.

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• The Mysterious Genesis of Paradise Lost
  Donald Cheney, 9.1:57-70.

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• Poetic Procreation in Edward Taylor's Meditations
  Ursula Brumm, 9.1:71-82.

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• A Visitation of Kipling's Daemon?
  M. M. Mahood, 9.1:83-99.

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• W. B. Yeats's "A Prayer for My Daughter": The Ironies of the Patriarchal Stance
  Leona Toker, 9.1:100-10.

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• Classroom Capers: The Case for Using Mnemonics
  William E. Engel, 9.2:111-42.

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• Dracula and the Idea of Europe
  Eleni Coundouriotis, 9.2:143-59.

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• Scholarship and Its Phantoms: Anthony Burgess's Shakespeare and "fin de siècle" Conceptions of Genius
  Frédéric Regard, 9.2:160-66.

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• My Poet is Better than Your Poet: A Response to Rajeev Patke
  John Whalen-Bridge, 9.2:167-73.

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• Cold Monuments Animated: A Receptive Response to John Russell Brown
  Eynel Wardi, 9.1:51-56.

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• Speaking for the Infant: On Yeats's "A Prayer for my Daughter"
  Charles Lock, 9.2:210-22.

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• Agency in Vaughan's Sacred Poetry: Creative Acts or Divine Gifts?
  Donald Dickson, 9.2:174-89.

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• Response to Christopher Wessman, "Marlowe's Edward II as 'Actaeonesque History'"
  Felicia Bonaparte and Jakob Stern, 9.3:223-27.

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• Identifying Marlowe's Radicalism: A Response to Christopher Wessman
  Anthony DiMatteo, 9.3:228-40.

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• Edward II, "Actaeonesque History," Espionage and Performance
  Rick Bowers, 9.3:241-47.

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• Well-Wishing Adventurers: Shakespeare's Sonnets and Narrative Poems by A. D. Cousins and Recent Responses to Shakespeare's Non-Dramatic Verse
  Liam Semler, 9.3:248-56.

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• Making Friends of Stage and Page: A Response to Alan Rosen
  Judith Rosenheim, 9.3:257-68.

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• Some Notes on the 'Single Sentiment' and Romanticism of Charlotte Smith¹⁾
  Sandro Jung, 9.3:269-84.

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• A Response to "Some Notes on the 'Single Sentiment' and Romanticism of Charlotte Smith"
  Monika Gomille, 9.3:285-88.

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• Performing Gender and Genre in Miles Franklin's My Career Goes Bung
  Barbara Schmidt-Haberkamp, 9.3:289-95.

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• Female Histories from Australia and Canada as Counter-Discourses to the National
  Marion Spies, 9.3:296-315.

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• Spinell and Connie: Joyce Carol Oates Re-Imagining Thomas Mann?
  Alan D. Latta, 9.3:316-29.

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