Articles in this issue

• Spenser's Monsters: A Response to Maik Goth and to John Watkins
  Maurice Hunt, 21.1:1-7.

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• Card and Courtship Plays at Hampton Court Palace: The Rape of the Lock and the Origins of Game Theory. A Response to Sean R. Silver
  Oliver R. Baker, 21.1:8-11.

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• Close Reading vs. Accretions of Dubious Scholarship: A Question of Competence. A Response to Kathryn Walls
  Oliver R. Baker, 21.1:12-19.

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• Sympathy, Superstition, and Narrative Form; Or, Why is Silas Marner so Short? A Response to John Mazaheri
  Anna Neill, 21.1:20-27.

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• Writings Backwards—Writing Forwards: A Response to Philipp Erchinger
  Beatrix Hesse, 21.1:28-36.

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• The Woman in White and the Secrets of the Sensation Novel
  Lynn Pykett, 21.1:37-45.

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• Thickening the Description: A Response to John R. Reed and Efraim Sicher¹⁾
  Leona Toker, 21.1:46-54.

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• Hopkins and Home²⁾
  Adrian Grafe, 21.1:55-71.

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• Turning the Corner of Interpretation: A Response to Elena Anastasaki
  Shalyn Claggett, 21.1:72-85.

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• Reconsidering Orton and the Critics: The Good and Faithful Servant
  Yael Zarhy-Levo, 21.1:86-100.

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• Modernist Elements in Jane Hirshfield's Voice and Zen Meditation
  Ling Chung, 21.1:101-24.

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• Modernist Elements in Jane Hirshfield's Voice and Zen Meditation: A Letter in Response to Ling Chung
  Jane Hirshfield, 21.1:125-27.

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• The Ethics of Otherness in Ian McEwan's Saturday
  Tammy Amiel-Houser, 21.1:128-57.

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• Poetic Economy: Ellipsis and Redundancy in Literature
  Matthias Bauer, 21.2-3:159-64.

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• In Their Own Words: On Writing in Second Person
  Joshua Parker, 21.2-3:165-76.

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• Leaps and Bounds: Hawthorne’s Strategies of Poetic Economy
  Elena Anastasaki, 21.2-3:177-197.

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• "Mistah Kurtz—he dead" in Company: Redundancy and Ellipsis
  William Harmon, 21.2-3:198-217.

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• Elegance and Poetic Economy in John Crowe Ransom and F. T. Prince
  Rajeev S. Patke, 21.2-3:218-40.

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• Pinter’s Fractured Discourse in The Homecoming
  Maurice Charney, 21.2-3:241-55.

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• Literary Allusions and Poetic Economy: Billy Collins’s "Albany" and William Wordsworth’s "I wandered lonely as a cloud
  Judith Saunders, 21.2-3:256-71.

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• The Homosexual Temptation of the Son in Milton’s Paradise Regained: A Reply to John T. Shawcross and Claude J. Summers
  David V. Urban, 21.2-3:272-77.

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• Re-reading Gulliver as Quixote: Toward a Theory a Quixotic Exceptionalism
  Aaron R. Hanlon, 21.2-3:278-303.

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• On the Shore of Interpretation: The Theory and Reading of the Image in Imagism
  Andrew Hay, 21.2-3:304-26.

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• "As I have heard Jeeves put it": A Response to Lawrence Dugan’s "Worcestershirewards: Wodehouse and the Baroque"
  Laura Mooneyham White, 21.2-3:327-333.

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• The Family Reunion: Eliot, James, and the Buried Life: A Response to Edward Lobb
  Miriam M. Chirico, 21.2-3:334-45.

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• Tragedy and Soap: Orton’s Good and Faithful Servant
  Simon Shepherd, 21.2-3:346-62.

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• Telling the Difference: Clones, Doubles and What’s in Between³⁾
  Amit Marcus, 21.2-3:363-96.

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• Untold and Unlived Lives in Kazuo Ishiguro’s Never Let Me Go: A Response to Burkhard Niederhoff
  Rebecca Suter, 21.2-3:397-406.

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