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Katrin Berndt – “Speak, Mnemosyne”: Genre Performance and Metagenre in Petina Gappah’s Memoir-Novel The Book of Memory

“Speak, Mnemosyne”: Genre Performance and Metagenre in Petina Gappah’s Memoir-Novel The Book of Memory Katrin Berndt Published in Connotations Vol. 34 (2025) Abstract This article contends that the genre of the memoir-novel is inherently metageneric in purpose and design, arguing that it combines the novel’s aesthetic and thematic diversity with […]

Angela Balla – Herbert and Gerson Reconsidered: Mystical Music and the Conciliarist Strain of Natural Law in “Providence”

Herbert and Gerson Reconsidered: Mystical Music and the Conciliarist Strain of Natural Law in “Providence”1 Angela Balla Published in Connotations Vol. 33 (2024) Abstract Recent scholarship has linked George Herbert to medieval French theologian Jean Gerson, an early theorist of individual natural rights and conciliarism. This essay proposes that Herbert […]

“Vancouver Walking”: Contemporary Canadian Urban Poetry

“Vancouver Walking”: Contemporary Canadian Urban Poetry Cecile Sandten Published in Connotations Vol. 33 (2024) Abstract As one of the most important Canadian metropolises, Vancouver is characterized in equal parts by its settler-colonial history, with its dominating industries, and its pre-colonial indigenous population and environment. Since writers often focus on these […]

Lost and Found: Textual and Intertextual Retrieval in Dante Gabriel Rossetti’s Exhumation Letters and the “Willowwood” Sonnets

Lost and Found: Textual and Intertextual Retrieval in Dante Gabriel Rossetti’s Exhumation Letters and the “Willowwood” Sonnets Carl Plasa Published in Connotations Vol. 33 (2024) Abstract This article is divided into two sections, the first of which is concerned with Dante Gabriel Rossetti’s letters, written between 17 December 1868 and […]

Color and Memory in David Copperfield: A Response to Georges Letissier

Color and Memory in David Copperfield: A Response to Georges Letissier Annette Federico Published in Connotations Vol. 33 (2024) Abstract In his essay on memory and color in David Copperfield, Georges Letissier pays special attention to the construction of spatial memories. I build on this insight by showing how temporality […]

“It’s Exactly Like That”: Bearing Resemblance in Alice Oswald’s Memorial—A Response to Linne/Niederhoff and Hahnemann

“It’s Exactly Like That”: Bearing Resemblance in Alice Oswald’s Memorial—A Response to Linne/Niederhoff and Hahnemann Chloe Wheatley Published in Connotations Vol. 33 (2024) Abstract This article examines Alice Oswald’s use of simile in Memorial: A Version of Homer’s Iliad (2011). While critical attention has tended to focus on the ways […]