The Curious History of Imagism: Of Hulme,Bergson, Worringer, and Imagism’s Readers. A Response to Andrew Hay Mary Ann Gillies Published in Connotations Vol. 23.1 (2013/14) Imagism has long occupied a curious position in the history of Modernism. Many modernist scholars have regarded imagism as central, even essential, to the development […]
Symbolism, Imagism, and Hermeneutic Anxiety: A Response to Andrew Hay Nicholas Halmi Published in Connotations Vol. 23.1 (2013/14) I. In an article published last year in Connotations, Andrew Hay proposed an intriguing analogy between the image as postulated in Ezra Pound’s program for Imagist poetry and the symbol as conceived […]
Three “Homes” which Gerard Manley Hopkins Enjoyed: A Counterbalance to Adrian Grafe’s “Hopkins and Home” Joseph F. Feeney Published in Connotations Vol. 23.1 (2013/14) […] in all removes I can Kind love both give and get. (“To seem the stranger,” 1885?) After leaving his family home to become a Jesuit […]
Telling Differences: Complicating, Challenging, and Expanding Amit Marcus’s Discussion of Clones and Doubles Nicole A. Diederich Published in Connotations Vol. 23.1 (2013/14) Amit Marcus’s “Telling Difference: Clones, Doubles and What’s in Between,” an exploration of the differences between clones and doubles in Romantic and post–Romantic fiction—most notably twentieth and twenty–first […]
Gulliver as a Novelistic, Quixotic Character? A Response to Aaron R. Hanlon David Fishelov Published in Connotations Vol. 23.1 (2013/14) The economy of literary interpretation can be described as the ratio between textual details from various phonetic, syntactic and semantic levels, and explicit or implicit assumptions that we use in […]
Studying Writing in Second Person: A Response to Joshua Parker Jarmila Mildorf Published in Connotations Vol. 23.1 (2013/14) In his article “In Their Own Words: On Writing in Second Person,” Joshua Parker reflects on second–person narration and looks at the issue from the perspective of authors who use such narration […]
The Influence of Narrative Tense in Second Person Narration: A Response to Joshua Parker Matt DelConte Published in Connotations Vol. 23.1 (2013/14) In his recent article, “In Their Own Words: On Writing in Second Person,” Joshua Parker argues that authors employ second person narration to distance themselves from certain events […]
Keeping You Unnatural: Against the Homogenization of Second Person Writing. A Response to Joshua Parker Brian Richardson Published in Connotations Vol. 23.1 (2013/14) I read Joshua Parker’s “In Their Own Words: On Writing in Second Person” with great interest and enjoyment. Parker deftly covers a vast swath of second person […]
Echoic Effects in Poe’s Poetic Double Economy——of Memory: A Response to Hannes Bergthaller and Dennis Pahl William E. Engel Published in Connotations Vol. 23.1 (2013/14) The words of one of these rhapsodies I have easily borne away in memory. I was, perhaps, the more forcibly impressed with it, as he […]
Poe’s Faltering Economies: A Response to Hannes Bergthaller Dennis Pahl Published in Connotations Vol. 23.1 (2013/14) As a writer associated with Gothic tales of terror and obsession as well as with critical essays detailing, in an almost scientific way, how he creates his poetic “effects,” Edgar Allan Poe has always […]
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