A Letter in Response to Kenneth Muir Emma Cole Published in Connotations Vol. 22.2 (2012/13) In Kenneth Muir’s article on Edwin Muir’s work, Chorus of the Newly Dead, he raises the possibility that the timing of Humbert Wolfe’s more popular work, Requiem, may suggest that it owes some of its […]
What Exactly Is It about Wooster’s Voice? A Response to Lawrence Dugan Sarah Säckel Published in Connotations Vol. 22.2 (2012/13) 1. Introduction Lawrence Dugan argues that Wodehouse’s Jeeves and Wooster novels differ from most of his other novels in their “baroque style” and differentiates between Wodehouse’s “baroque” and “classic” works. […]
Laws, Characters, and the Agency of the Text: An Answer to Beatrix Hesse and Lyn Pykett Philipp Erchinger Published in Connotations Vol. 22.2 (2012/13) Beatrix Hesse’s and Lyn Pykett’s equally thoughtful and thought–provoking responses to my essay on The Woman in White have made me realise that some of the […]
Milton’s Identification with the Unworthy Servant in Sonnet 19: A Response to Margaret Thickstun David V. Urban Published in Connotations Vol. 22.2 (2012/13) In her fine essay “Resisting Patience in Milton’s Sonnet 19,” Margaret Thickstun seeks to analyze Milton’s sonnet through a close textual analysis of Milton’s rhetorical strategy, also […]
Naming and Unnaming in Spenser’s Colin Clouts Come Home Againe Maurice Hunt Published in Connotations Vol. 22.2 (2012/13) Both Petrarch and Boccaccio who, according to Walter W. Greg, “founded the Renaissance eclogue, [were] keenly aware of the value of pastoral for ‘covert reference to men and the events of the […]
Language Matters: An Investigation into Cliché in The Light of Day Andrew James Published in Connotations Vol. 22.2 (2012/13) While Graham Swift’s The Light of Day (2003) was not an overwhelming success with readers and reviewers, with Germaine Greer speculating that it had been rewritten too many times and labelling […]
A Collection of Selves: Louis MacNeice’s Autumn Journal Teresa Bruś Published in Connotations Vol. 22.2 (2012/13) […] because a diary is like lacework, a net of tighter or looser links that contain more empty space than solid parts. Philippe Lejeune, On Diary 1. Salvaging of Order Louis MacNeice started writing […]
Ellipsis and Aposiopesis in “The Love Song of J. Alfred Prufrock” Edward Lobb Published in Connotations Vol. 22.2 (2012/13) On October 4, 1923, T. S. Eliot wrote to John Collier, a prospective contributor to The Criterion, about a poem Collier had submitted. “This particular type of fragmentary conversation (see p. […]
A Daughter Abandons Her Literary Mother: A. S. Byatt’s The Children’s Book and Iris Murdoch’s The Good Apprentice. A Response to June Sturrock Nick Turner Published in Connotations Vol. 22.1 (2012/13) Although there is a growing body of work on contemporary fiction, it can still take a considerable time for […]
Ruinous Fathers, Lethal Mothers: A Response to June Sturrock Lena Steveker Published in Connotations Vol. 22.1 (2012/13) In her thoughtful essay “Artists as Parents in A. S. Byatt’s The Children’s Book and Iris Murdoch’s The Good Apprentice,” June Sturrock explores how Byatt draws on Murdoch’s narrative, “intensifying and darkening it […]
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