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Lars Eckstein – Against an Ethics of Absolute Otherness, for Cross-Cultural Critique: A Response to Tammy Amiel-Houser

Against an Ethics of Absolute Otherness, for Cross-Cultural Critique: A Response to Tammy Amiel-Houser Lars Eckstein Published in Connotations Vol. 22.1 (2012/13) In “The Ethics of Otherness in Ian McEwan’s Saturday,” Tammy Amiel–Houser proposes a Levinasian reading of McEwan’s 2005 novel which argues that most approaches to Saturday have so […]

Frank J. Kearful – Poetics and Politics in Robert Lowell’s “The March 1” and “The March 2”

Poetics and Politics in Robert Lowell’s “The March 1” and “The March 2” Frank J. Kearful Published in Connotations Vol. 22.1 (2012/13) Typographical ellipsis, diverse forms of repetition, an array of rhetorical devices, sonnet configuration, and prosodic maneuvers are salient features of Lowell’s poetics that deserve close attention in any […]

David Fishelov – The Economy of Literary Interpretation

The Economy of Literary Interpretation David Fishelov Published in Connotations Vol. 22.1 (2012/13) The economy of literary interpretation can be described as the ratio between textual details from various phonetic, syntactic and semantic levels, and explicit or implicit assumptions that we use in order to explain these details. An economical […]

Arthur F. Kinney – John Lyly’s Poetic Economy

John Lyly’s Poetic Economy Arthur F. Kinney Published in Connotations Vol. 22.1 (2012/13) John Lyly’s Euphues—an inventive, imaginative, provocative, allusive, and learned literary investment first published in 1578—is, for Leah Scragg, “a literary phenomenon” (1) that went through an unprecendented 17 editions by 1638. No other work of imaginative prose […]

Rebecca Suter – Untold and Unlived Lives in Kazuo Ishiguro’s Never Let Me Go: A Response to Burkhard Niederhoff

Untold and Unlived Lives in Kazuo Ishiguro’s Never Let Me Go: A Response to Burkhard Niederhoff Rebecca Suter Published in Connotations Vol. 21.2-3 (2011/12) In his article on “Unlived Lives,” Burkhard Niederhoff examines the trope of the “unlived life” in two rather different works of literature, namely Kazuo Ishiguro’s novel […]