Tragedy and Soap: Orton’s Good and Faithful Servant Simon Shepherd Published in Connotations Vol. 21.2-3 (2011/12) In his essay on Orton’s Good and Faithful Servant Maurice Charney argues that it is, for Orton, a strange sort of play.1) He calls it a “Laodicean tragedy,” on the grounds that “there is […]
The Family Reunion: Eliot, James, and the Buried Life: A Response to Edward Lobb Miriam M. Chirico Published in Connotations Vol. 21.2-3 (2011/12) One associates T. S. Eliot with his poetry far more than one remembers him as a playwright. This general lack of approbation makes it all the more […]
“As I have heard Jeeves put it”: A Response to Lawrence Dugan’s “Worcestershirewards: Wodehouse and the Baroque” Laura Mooneyham White Published in Connotations Vol. 21.2-3 (2011/12) Lawrence Dugan’s very interesting attempt to draw a clear line between P. G. Wodehouse’s achievement in the first−person narratives of Bertie Wooster and in […]
On the Shore of Interpretation: The Theory and Reading of the Image in Imagism Andrew Hay Published in Connotations Vol. 21.2-3 (2011/12) All seeing is essentially perspective, and so is all knowing. (Nietzsche, The Genealogy of Morals 255) […] in−itself the image is matter: not something hidden behind the image, […]
Re-reading Gulliver as Quixote: Toward a Theory a Quixotic Exceptionalism Aaron R. Hanlon Published in Connotations Vol. 21.2-3 (2011/12) In 1726, the year in which Gulliver’s Travels was published, Craftsman editor Nicholas Amhurst was among the first to compare Gulliver’s Travels with Don Quixote. Amhurst hinted at the relationship between […]
The Homosexual Temptation of the Son in Milton’s Paradise Regained: A Reply to John T. Shawcross and Claude J. Summers David V. Urban Published in Connotations Vol. 21.2-3 (2011/12) In “Milton’s Paradise Regain’d and the Second Temptation,” John T. Shawcross engages Claude J. Summers’s discussion of the “homosexual implications” of […]
Literary Allusions and Poetic Economy: Billy Collins’s “Albany” and William Wordsworth’s “I wandered lonely as a cloud Judith Saunders Published in Connotations Vol. 21.2-3 (2011/12) A versatile and variform literary device, allusion serves a wide range of purposes in imaginative writing. As part of his 2007 historical analysis of allusion […]
Pinter’s Fractured Discourse in The Homecoming Maurice Charney Published in Connotations Vol. 21.2-3 (2011/12) Pinter liked to play the role of deist dramatist, who set his characters out on stage and let them pursue their autonomous destinies.41) As he wrote to Peter Wood, the director of The Birthday Party, in […]
Elegance and Poetic Economy in John Crowe Ransom and F. T. Prince Rajeev S. Patke Published in Connotations Vol. 21.2-3 (2011/12) In this essay I take up the notion of poetic elegance as a specific instance of the general idea of poetic economy. The kind of elegance I have in […]
“Mistah Kurtz—he dead” in Company: Redundancy and Ellipsis William Harmon Published in Connotations Vol. 21.2-3 (2011/12) Let me start with five texts that have a good deal in common and try to proceed inductively to arrive at some general observations about poetic economy. The choice of this material was prompted […]
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