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The Ghost Story in Spenser’s Daphnaïda

The Ghost Story in Spenser’s Daphnaïda Kreg Segall Published in Connotations Vol. 33 (2024) Abstract This study of Spenser’s Daphnaïda responds to David Lee Miller’s contentions that (1) this elegy is a purposely bad poem; (2) that Daphnaïda is more suitable to historical consideration than formal analysis; and (3) that […]

Thomas Kullmann – Anthologizing Shakespeare’s Sonnets

Anthologizing Shakespeare’s Sonnets Thomas Kullmann Published in Connotations Vol. 33 (2024) Abstract Since antiquity, schools, universities, and other institutions have canonized literary texts, that is, made choices as to what students should read and study. The present article intends to explore on which grounds these choices are made, using Shakespeare’s […]

Katherine Calloway – A Particular Trust: George Herbert and Epicureanism

A Particular Trust: George Herbert and Epicureanism Katherine Calloway Published in Connotations Vol. 32 (2023) Abstract This article explores George Herbert’s engagement with Epicureanism, and Lucretius in particular, with Donne and Bacon serving as important intermediaries. While differing on questions about divine care for the world and eternal resurrection, Lucretius […]

Thomas Kullmann – Shakespeare’s Julius Caesar and the (Re-)Invention of Tragedy: A Response to Angelika Zirker and Susanne Riecker

Shakespeare’s Julius Caesar and the (Re-)Invention of Tragedy: A Response to Angelika Zirker and Susanne Riecker Thomas Kullmann Published in Connotations Vol. 32 (2023) Abstract In their contribution, Zirker and Riecker provide a comprehensive survey of how Shakespeare used his sources, especially Plutarch’s Life of Caesar and Life of Brutus, […]

John D. Cox – Historical Fetters and Creative Liberation in Shakespeare’s Julius Caesar: A Response to Angelika Zirker and Susanne Riecker

Historical Fetters and Creative Liberation in Shakespeare’s Julius Caesar: A Response to Angelika Zirker and Susanne Riecker John D. Cox Published in Connotations Vol. 32 (2023) Abstract The authors describe Shakespeare’s double tragedy of Julius Caesar and of Brutus as a creative liberation from the constraints imposed by a historical […]