Lilies and an Olive Branch: On Robert Lowell’s Lord Weary’s Castle Frank J. Kearful Published in Connotations Vol. 20.2-3 (2010/11) I am pleased that Henry Hart found much to praise in my “‘Stand and Live’: Tropes of Falling, Rising, Standing in Robert Lowell’s Lord Weary’s Castle,” and I find most […]
Worcestershirewards: Wodehouse and the Baroque1) Lawrence Dugan Published in Connotations Vol. 20.2-3 (2010/11) I should define as baroque that style which deliberately exhausts (or tries to exhaust) all its possibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there […]
An Answer to Edward Miller and Anita Gilman Sherman Margret Fetzer Published in Connotations Vol. 20.2-3 (2010/11) I am honoured that my paper, “Donne’s Sermons as Re−enactments of the Word,” has been met by two such insightful responses by Edmund Miller and Anita Gilman Sherman. The following constitutes an answer […]
Elf-Fashioning Revisited: A Response to Maik Goth Matthew Woodcock Published in Connotations Vol. 20.2-3 (2010/11) Taking a cue from Sir Philip Sidney’s famous formulation of the poet as a “maker” possessed of the ability to bring forth “forms such as never were in nature, as the Heroes, Demigods, Cyclops, Chimeras, […]
Spenser’s Monsters: A Response to Maik Goth John Watkins Published in Connotations Vol. 20.2-3 (2010/11) Maik Goth’s essay “Spenser as Prometheus: The Monstrous and the Idea of Poetic Creation” argues that Spenser associated poetic creation in general, and his own craftsmanship in particular, with monstrosity and an open defiance of […]
Spenser as Prometheus: A Response to Maik Goth Andrew Hadfield Published in Connotations Vol. 20.2-3 (2010/11) I enjoyed Maik Goth’s thoughtful piece on Spenser as Prometheus. Goth explored the representation of monstrous creations in The Faerie Queene in terms of Sir Philip Sidney’s characterisation of the poet as a “maker” […]
Unlived Lives in Kazuo Ishiguro’s The Remains of the Day and Tom Stoppard’s The Invention of Love40) Burkhard Niederhoff Published in Connotations Vol. 20.2-3 (2010/11) 1. Introduction In Alice Munro’s short story “Walker Brothers Cowboy,” a travelling salesman takes his two children on a sales tour in rural Ontario. When […]
The Change in Hemingway’s Literary Style in the 1930s: A Response to Silvia Ammary Kurt Müller Published in Connotations Vol. 20.2-3 (2010/11) Silvia Ammary’s article is a valuable contribution to the critical debate about Hemingway’s highly self−reflexive portrait of the artist as a failure. It aptly grasps the nostalgic tone […]
“The road to happiness”: Jane Austen’s Mansfield Park Angelika Zirker Published in Connotations Vol. 20.2-3 (2010/11) At first glance, Jane Austen’s novels seem to be fairly similar: at the end, after many trials and tribulations, the heroine finds the husband who suits her perfectly, according to the plot structure of […]
Artists as Parents in A. S. Byatt’s The Children’s Book and Iris Murdoch’s The Good Apprentice June Sturrock Published in Connotations Vol. 20.1 (2010/11) Near the beginning of her long career as a novelist and critic, A. S. Byatt published Degrees of Freedom: The Early Novels of Iris Murdoch (1965), […]
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