In Search of the Dead in Atwood’s “Isis in Darkness” and Other Texts: A Response to Burkhard Niederhoff’s “The Return of the Dead in Margaret Atwood’s Surfacing and Alias Grace”1) Sharon R. Wilson Published in Connotations Vol. 19.1-3 (2009/10) Atwood’s non-fiction work, Negotiating with the Dead (2002), underlines many of […]
The Psychoanalytic Theme in Margaret Atwood’s Fiction: A Response to Burkhard Niederhoff6) Fiona Tolan Published in Connotations Vol. 19.1-3 (2009/10) In Margaret Atwood’s 2003 dystopian novel, Oryx and Crake, the protagonist and narrator Jimmy—later known as Snowman—persistently presses the beautiful and enigmatic Oryx for details of her exotically traumatic past; […]
Should we believe her? Margaret Atwood and Uncertainty: A Response to Burkhard Niederhoff Margaret Rogerson Published in Connotations Vol. 19.1-3 (2009/10) Burkhard Niederhoff’s analysis of Margaret Atwood’s Surfacing (1972) and Alias Grace (1996) speaks cogently of the Canadian author’s fondness for ghosts, her interest in the notion of survival, and […]
A Response to “The Return of the Dead in Margaret Atwood’s Surfacing and Alias Grace” Eleonora Rao Published in Connotations Vol. 19.1-3 (2009/10) An arbitrary choice then, a definitive moment: October 23 1990. It’s a bright clear day, unseasonably warm. It’s a Tuesday […] The sun moves into Scorpio. Tony […]
Truths of Storytelling: A Response to Burkhard Niederhoff Janice Fiamengo Published in Connotations Vol. 19.1-3 (2009/10) Burkhard Niederhoff has put his finger on one of the most interesting differences between Margaret Atwood’s Surfacing and Alias Grace. In Surfacing, the narrator’s quest to survive as an emotionally responsive and responsible adult […]
Lowell’s Tropes of Falling, Rising, Standing: A Response to Frank J. Kearful Henry Hart Published in Connotations Vol. 19.1-3 (2009/10) Frank Kearful has written an insightful essay on some of Lowell’s fundamental preoccupations in Lord Weary’s Castle. I was impressed by the critic’s investigation of Lowell’s poetics—of his tropes, metrical […]
Reanimation, Regeneration, Re-evaluation: Rereading Our Mutual Friend Efraim Sicher Published in Connotations Vol. 19.1-3 (2009/10) Leona Toker’s essay “Decadence and Renewal in Dickens’s Our Mutual Friend,” published in a section under the somewhat ghoulish heading “Restored from Death,” takes up the Jamesian disdain for Dickens’s last novel as a product […]
A Letter in Response to Leona Toker’s “Decadence and Renewal in Dickens’s Our Mutual Friend” John R. Reed Published in Connotations Vol. 19.1-3 (2009/10) The argument of Toker’s essay mainly focuses, in different ways, on patterns of decline that either fulfill themselves or are reversed. I think all readers of […]
Reanimation or Reversibility in “Valerius: The Reanimated Roman”: A Response to Elena Anastasaki Graham Allen Published in Connotations Vol. 19.1-3 (2009/10) It has been a struggle to transcend the essentially biographical manner in which Romantic women writers like Mary Shelley have traditionally been read.31) In her introduction to the Pickering […]
“Donne’s Sermons as Re-enactments of the Word”: A Response to Margret Fetzer Anita Gilman Sherman Published in Connotations Vol. 19.1-3 (2009/10) Margret Fetzer is surely right that John Donne used theatrical strategies of impersonation and identification in his sermons so as to bring home the drama of salvation. By re−enacting […]
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