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Hannes Bergthaller – Dis(re)membering History’s revenants: Trauma, Writing, and Simulated Orality in Toni Morrison’s Beloved

Dis(re)membering History’s revenants: Trauma, Writing, and Simulated Orality in Toni Morrison’s Beloved Hannes Bergthaller Published in Connotations Vol. 16.1-3 (2006/07) “Most artful Teuth, [you], being the father of written letters, have on account of goodwill said the opposite of what they can do. For this will provide forgetfulness in the […]

John Whalen-Bridge – “For/From Lew”: The Ghost Visitations of Lew Welch and the Art of Zen Failure. A Dialogue for Two Voices

“For/From Lew”: The Ghost Visitations of Lew Welch and the Art of Zen Failure. A Dialogue for Two Voices John Whalen-Bridge Published in Connotations Vol. 16.1-3 (2006/07) [The following is a transcription of comments made by two academics in the lobby of a post−9⁄11 airport, where they sat waiting as […]

Elena Anastasaki – The Trials and Tribulations of the revenants: Narrative Techniques and the Fragmented Hero in Mary Shelley and Théophile Gautier

The Trials and Tribulations of the revenants: Narrative Techniques and the Fragmented Hero in Mary Shelley and Théophile Gautier Elena Anastasaki Published in Connotations Vol. 16.1-3 (2006/07) Reanimation, as a fantastic subject, can be found in myth and literature of all times. But towards the end of the eighteenth century […]

Susan Ang – “OOOO that Eliot-Joycean Rag”: A Fantasia upon Reading English Music

“OOOO that Eliot-Joycean Rag”168): A Fantasia169) upon Reading English Music Susan Ang Published in Connotations Vol. 15.1-3 (2005/06) Fathers, Sons and Vegetation Myth In “The Relics of Learning,” his review of Peter Ackroyd’s English Music, James Buchan institutes a comparison between Ackroyd and a hypothetical postmodernist architect, who, asked to […]