Historical Fetters and Creative Liberation in Shakespeare’s Julius Caesar: A Response to Angelika Zirker and Susanne Riecker John D. Cox Published in Connotations Vol. 32 (2023) Abstract The authors describe Shakespeare’s double tragedy of Julius Caesar and of Brutus as a creative liberation from the constraints imposed by a historical […]
Auden’s “This Lunar Beauty”: Keats’s Urn and Hardy’s Tess Clay Daniel Published in Connotations Vol. 32 (2023) Abstract W. H. Auden’s “This Lunar Beauty” (1930) appears as homage to a pure “lunar beauty” that is defined by its sexual innocence and remoteness from the changes wrought by painful mundane experience. […]
Six-Word Stories as Autonomous Literary Works in Digital Contexts: An Answer to Paola Trimarco David Fishelov Published in Connotations Vol. 32 (2023) Abstract In my answer to Paola Trimarco’s thoughtful response to my essay on parodies of six-word stories, I will take up two important issues raised by her. Trimarco […]
“Pride” in Byte and “Prejudice” in Bits: A Medievalist’s Perspective on Jane Austen’s Novel Fritz Kemmler Published in Connotations Vol. 32 (2023) Abstract It is well known that many of the moral aspects, concepts, and themes that can be found in Jane Austen’s novels are based on the eighteenth-century tradition […]
“The prismatic hues of memory” (DC 769): Visual Story-Telling and Chromatic Showmanship in Charles Dickens’s David Copperfield Georges Letissier Published in Connotations Vol. 32 (2023) Abstract What if the memory of colour was an integral part of the act of story-telling? David Copperfield, Charles Dickens’s “favourite child,” illustrates the author’s […]
Six-Word Narratives and Hybrid Genres in Digital Contexts: A Response to David Fishelov Paola Trimarco Published in Connotations Vol. 32 (2023) Abstract This short essay offers a reflection on six-word stories. In response to David Fishelov’s “Parodies of Six-Word Stories: A Comic Literary Metagenre,” this paper aims to complement Fishelov’s […]
The Increasing Distance between De Doctrina Christiana and Milton’s Poetry: An Answer to John K. Hale David V. Urban Published in Connotations Vol. 32 (2023) Abstract In this essay, David V. Urban challenges John K. Hale’s assertion that scholars of Milton ought to confidently address the relationship between De Doctrina […]
Tragedy and Trauerspiel: John Webster’s The Duchess of Malfi9) Anny Crunelle-Vanrigh Published in Connotations Vol. 31 (2022) Abstract Critical literature has variously described The Duchess of Malfi as tragedy, tragicomedy, or anti-tragedy. The play actually features two interrelated journeys traceable to conflicting generic backgrounds carefully yoked together. One, shaped by […]
“That we shall die we know”: Historical Fetters and Creative Liberation in William Shakespeare’s Julius Caesar32) Angelika Zirker and Susanne Riecker Published in Connotations Vol. 31 (2022) Abstract In his tragedy Julius Caesar, Shakespeare builds largely on the 1579 translation of Plutarch’s Lives of the Noble Greeks and Romans, usually […]
Blaming Helen in Twenty-First Century Myth Writing: A Response to Lena Linne Shelby Judge Published in Connotations Vol. 31 (2022) Abstract This response to the article “Meta-Epic Reflection in Twenty-First-Century Rewritings of Homer, or: The Meta-Epic Novel” takes as its starting point the author’s metageneric interpretation of twenty-first century myth […]
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