C. S. Lewis’s Complex Relationship with Queer Milton Studies: Indirect Inspiration, Hegemonic Antagonist, and Erased Inconvenient Forerunner1) David V. Urban Published in Connotations Vol. 30 (2021) Abstract This essay discusses queer Milton scholarship’s various responses to C. S. Lewis’s A Preface to Paradise Lost, beginning with Gregory Bredbeck’s groundbreaking 1991 […]
C. S. Lewis and His Later Respondents: Letting in Fresh Air, Preventing Questions, and Reimagining A Preface to Paradise Lost11) David V. Urban Published in Connotations Vol. 30 (2021) Abstract This essay chronicles significant responses to C. S. Lewis’s A Preface to Paradise Lost (1942) that occurred from the 1960s […]
The Faerie Queene as Satirical Intertext for The Alchemist Jennifer C. Vaught Published in Connotations Vol. 30 (2021) Abstract Building on Rachel Hile’s important study Spenserian Satire: A Tradition of Indirection, which largely focuses on Spenser’s shorter poems in The Complaints, this essay calls attention to the satirical dimension of […]
“There’s Something Wrong Somewhere”: Disenfranchisement and Diegesis in David Goodis’s Down There Robert Lance Snyder Published in Connotations Vol. 30 (2021) Abstract Described by critics as a “poet of the losers” who masterfully portrayed the “economic struggles, in a truly Kafkaesque sense, of the underbelly of America during his time,” […]
The Authorship of De Doctrina Christiana: A Response to David V. Urban58) John K. Hale Published in Connotations Vol. 30 (2021) Abstract Urban proposes that the doubts about Milton’s authorship of De Doctrina Christiana make it acceptable to ignore the work when one writes about the theology in Milton’s late […]
At the Cutting Edge: Touch Images in Edgar Allan Poe’s “The Pit and the Pendulum”65) Jarkko Toikkanen Published in Connotations Vol. 30 (2021) Abstract The sense of touch, a less studied aspect of “The Pit and the Pendulum” (1842), is peculiar to how Poe’s story is experienced. Along the way, […]
Marx’s scholia: Annotations Involving Classical and Renaissance Texts in Capital80) William E. Engel Published in Connotations Vol. 29 (2020) Abstract My essay looks at the annotations in the first English printing of Karl Marx’s Capital, volume 1 (planned by Marx even as he was finishing the book in German, edited […]
Revisiting the History of the De Doctrina Christiana Authorship Debate and Its Ramifications for Milton Scholarship: A Response to Falcone and Kerr104) David V. Urban Published in Connotations Vol. 29 (2020) Abstract This essay details the history of the De Doctrina Christiana authorship controversy, suggesting that the debate’s conclusion in […]
The present article, in dialogue with Lena Linne and Burkhard Niederhoff’s recent article in Connotations, presents writing explanatory notes as an art, involving a feeling of what is right.
Form and Spiritual Content in the Poetry of George Herbert and Henry Vaughan: A Response to Jonathan Nauman Robert Wilcher Published in Connotations Vol. 29 (2020) Abstract Jonathan Nauman makes a fine job of demonstrating how Herbert sought to express the operation of divine grace in poetry by integrating meaning […]
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