“An Unparalleled Plethora of Idiocy”: Len Deighton’s Political Skepticism in The Ipcress File Robert Lance Snyder Published in Connotations Vol. 26 (2016/17) Abstract As an espionage thriller The Ipcress File (1962) conveys a profound skepticism about all political ideologies regnant during the Cold War. Len Deighton exposes not only the […]
Edith Wharton’s Geographical Imagination: A Response to Judith P. Saunders Gary Totten Published in Connotations Vol. 26 (2016/17) Judith Saunders’s article, “Wharton’s Hudson River Bracketed and Coleridge’s ‘Kubla Khan’: Re-Creating Xanadu in an American Landscape,” is a thoughtful study of Wharton’s literary influences and their effects on her geographical imagination […]
Overwhelming Questions: An Answer to Chris Ackerley Edward Lobb Published in Connotations Vol. 26 (2016/17) In his response to my article on “The Love Song of J. Alfred Prufrock,” Chris Ackerley objects to several points in my discussion of the poem and makes some observations of his own about Eliot’s […]
Poetics of Injustice: The Case of Two Mockingbirds Ralph Grunewald Published in Connotations Vol. 26 (2016/17) Abstract This article is based on the understanding that in law questions of guilt are often reduced and simplified, whereas literary texts can provide a more encompassing picture of a person’s blameworthiness. That leads […]
Is Timon Mad? An Answer to Beatrix Hesse Thomas Kullmann Published in Connotations Vol. 26 (2016/17) In her response to Maurice Charney’s and my own interpretations of Nabokov’s Pale Fire, Beatrix Hesse comments on the supposed similarity between Shakespeare’s Timon and Nabokov’s Charles Kinbote. While I do not wish to […]
Black Ekphrasis? A Response to Carl Plasa Jane Hedley Published in Connotations Vol. 26 (2016/17) In “Ekphrastic Poetry and the Middle Passage,” Carl Plasa re-purposes Adrienne Rich’s assertion that for writers who are women, “entering an old text from a new direction” is “not just ‘a chapter in cultural history’ […]
A Course in Ghost Writing: Philip Roth, Authorship, and Death60) David Hadar Published in Connotations Vol. 26 (2016/17) Abstract This paper argues that, for American novelist Philip Roth, the death of an author does not necessarily mean a loss of power and authority. Instead, what is crucial for literary authority […]
The Mysterious Genesis of Paradise Lost Donald Cheney Published in Connotations Vol. 9.1 (1999/2000) A poem or any other product of mental labor (such as this essay) naturally lends itself to procreative metaphors. It seems to have dwelled—or to give promise of being about to have dwelled—within us for months, […]
Authorship, Gender, and the Modern Muse in Edith Wharton’s Vance Weston Novels: A Response to Judith P. Saunders Margaret Toth Published in Connotations Vol. 26 (2016/17) Edith Wharton’s last two completed novels, Hudson River Bracketed (1929) and The Gods Arrive (1932), together trace the life of aspiring writer Vance Weston […]
Beyond the “Chorus Line”: A Response to Susanne Jung Christine Evain Published in Connotations Vol. 25.2 (2015/16) Abstract Christine Evain’s reply to Susanne Jung’s article on how Margaret Atwood’s The Penelopiad incorporates several genre stylistically (published in Connotations 24.1) further highlights the unusual form chosen for the subject matter. This […]
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