Articles in this issue

• Pivots, Reversals, and Things in the Aesthetic Economy of Howells's The Rise of Silas Lapham
  Neil Browne, 15.1-3:1-16.

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• Unscrambling Surprises
  Arthur F. Kinney, 15.1-3:17-29.

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• Vladimir Nabokov and the Surprise of Poetry: Reading the Critical Reception of Nabokovs Poetry and "The Poem" and "Restoration"
  Paul D. Morris, 15.1-3:30-57.

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• Perversions and Reversals of Childhood and Old Age in J. M. Coetzee's Age of Iron
  Christiane Bimberg, 15.1-3:58-91.

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• On Cheney on Spenser's Ariosto
  Lawrence F. Rhu, 15.1-3:91-96.

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• Shakespeare's Country Opposition: Titus Andronicus in the Early Eighteenth Century
  Andreas K. Müller, 15.1-3:97-126.

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• The Tempest in the Trivium
  Dan Harder, 15.1-3:127-30.

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• P. G. Wodehouse Linguist?¹⁾
  Barbara C. Bowen, 15.1-3:131-42.

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• The American Carnival of The Great Gatsby
  Philip McGowan, 15.1-3:143-58.

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• Bakhtin and History: A Response to Winifred Bevilacqua
  Michael Tratner, 15.1-3:159-66.

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• A Modest Letter in Response to The Great Gatsby, Bakhtin's Carnival, and Professor Bevilacqua
  Tony Magistrale, 15.1-3:167-70.

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• Waugh's Conrad and Victorian Gothic: A Reply to Martin Stannard and John Howard Wilson
  Edward Lobb, 15.1-3:171-76.

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• How to Listen to Mamet: A Response to Maurice Charney
  Douglas Bruster, 15.1-3:177-85.

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• Stylistic Self-Consciousness Versus Parody in David Mamet: A Response to Maurice Charney
  Verna A. Foster, 15.1-3:186-94.

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• Mamet's Self-Parody: A Response to Maurice Charney
  David Mason, 15.1-3:186-94.

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• Anti-novel as Ethics: Lindsey Collen's The Rape of Sita²⁾
  Eileen Williams-Wanquet, 15.1-3:200-14.

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• "OOOO that Eliot-Joycean Rag"⁴⁾: A Fantasia³⁾ upon Reading English Music
  Susan Ang, 15.1-3:215-42.

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