Articles in this issue

• John Lyly's Poetic Economy
  Arthur F. Kinney, 22.1:1-12.

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• Poe’s Economies and “The Fall of the House of Usher”
  Hannes Bergthaller, 22.1:13-31.

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• The Economy of Literary Interpretation
  David Fishelov, 22.1:32-56.

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• If and It and the Human Condition: Considerations Arising from a Reading of The Merchant of Venice
  Inge Leimberg, 22.1:57-84.

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• The Two Bertie Woosters: A Response to Lawrence Dugan
  William Vesterman, 22.1:85-88.

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• Poetics and Politics in Robert Lowell’s “The March 1” and “The March 2”
  Frank J. Kearful, 22.1:89-117.

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• Generic Differences: A Response to Burkhard Niederhoff
  Raimund Borgmeier, 22.1:118-24.

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• Against an Ethics of Absolute Otherness, for Cross-Cultural Critique: A Response to Tammy Amiel-Houser
  Lars Eckstein, 22.1:125-36.

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• Authorities of Representation: Speaking To and Speaking For. A Response to Barbara Korte
  Lisa Lau and Ana Cristina Mendes, 22.1:137-43.

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• Artists as Mothers: A Response to June Sturrock
  Louisa Hadley, 22.1:144-56.

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• Ruinous Fathers, Lethal Mothers: A Response to June Sturrock
  Lena Steveker, 22.1:157-61.

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• A Daughter Abandons Her Literary Mother: A. S. Byatt’s The Children’s Book and Iris Murdoch’s The Good Apprentice. A Response to June Sturrock
  Nick Turner, 22.1:162-65.

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• Ellipsis and Aposiopesis in “The Love Song of J. Alfred Prufrock”
  Edward Lobb, 22.2:167-86.

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• A Collection of Selves: Louis MacNeice’s Autumn Journal
  Teresa Bruś, 22.2:187-213.

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• Language Matters: An Investigation into Cliché in The Light of Day
  Andrew James, 22.2:214-34.

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• Naming and Unnaming in Spenser's Colin Clouts Come Home Againe
  Maurice Hunt, 22.2:235-59.

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• Milton's Identification with the Unworthy Servant in Sonnet 19: A Response to Margaret Thickstun
  David V. Urban, 22.2:260-63.

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• Laws, Characters, and the Agency of the Text: An Answer to Beatrix Hesse and Lyn Pykett
  Philipp Erchinger, 22.2:264-78.

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• What Exactly Is It about Wooster's Voice? A Response to Lawrence Dugan
  Sarah Säckel, 22.2:279-297.

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• A Letter in Response to Kenneth Muir
  Emma Cole, 22.2:298-300.

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• "Occult Sympathy": Geoffrey Household's Watcher in the Shadows and Dance of the Dwarfs
  Robert Lance Snyder, 22.2:301-17.

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• Epigraphs and Absences: A Comment on Rajeev S. Patke's "Ambiguity and Ethics: Fictions of Governance in Geoffrey Hill's Mercian Hymns"
  Charles Lock, 22.2:318-27.

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