Articles in this issue

• The House of Fame: Tripartite Structure and Occasion
  John M. Steadman, 3.1:1-12.

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• A Collection of Toothpicks from The Winter's Tale to Leviathan¹⁾
  Robert G. Collmer, 3.1:13-25.

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• Connotations of "Strange Meeting"
  Kenneth Muir, 3.1:23-36.

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• A Reply to Mary Carruthers, "Inventional Mnemonics and the Ornaments of Style"
  Lina Bolzoni, 3.1:37-41.

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• Some Notes on William Harmon, "Paronomastics"
  A. R. Ammons, 3.1:42-43.

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• A Response to William Harmon
  W. F. H. Nicolaisen, 3.1:44-47.

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• Words, Weapons, and Role-players: A Reply to Stanley Hussey
  Robert Crosman, 3.1:48-51.

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• Generalization Must Be, but Woe unto the Generalizer: A Reply to Jonas Barish
  Robert Crosman, 3.1:52-55.

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• Hamlet and After
  Holger Klein, 3.1:56-59.

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• "Double Nature's Single Name": A Response to Christiane Gillham
  Peter Milward, 3.1:60-63.

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• Shakespeare's "The Phoenix and the Turtle": A Reconsideration of "Single Natures Double Name"
  James H. Sims, 3.1:64-71.

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• "Mind the Gap": A Comment on Lothar Černý
  Brean S. Hammond, 3.1:72-78.

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• Fielding and the "Sagacious Reader": A Response to Lothar Černý
  Nicholas Hudson, 3.1:79-84.

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• Fielding, Reception Theory and Rationalism: A Reply to Brean Hammond and Nicholas Hudson
  Lothar Černý, 3.1:85-89.

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• Palm Reading (A Response to Eleanor Cook)
  Timothy Bahti, 3.1:90-94.

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• A Note on Eleanor Cook, "From Etymology to Paronomasia"
  John Hollander, 3.1:95-98.

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• Paronomasia Once More
  Eleanor Cook - Paronomasia Once More, 3.1:98-102.

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• Inventional Mnemonics, Reading and Prayer: A Reply to Mary Carruthers
  Sylvia Huot, 3.2:103-09.

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• The House of Fame: Tripartite Structure and Occasion
  R. J. Schoeck, 3.2:110-14.

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• A Response to Judith Dundas, "Paronomasia in the Quip Modest"
  Debra Fried, 3.2:115-25.

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• Half a Miracle: A Response to William Harmon
  Paul J. C. M. Franssen, 3.2:118-22.

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• Single Natures Double Name: A Reply to Peter Milward and James H. Sims
  Christiane Gillham, 3.2:123-28.

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• Notations on Connotations 3.1
  Peter Milward, 3.2:129-32.

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• Brightness and Beauty, Taste and Relish: Advertising and Vindicating Eighteenth-Century Novels²⁾
  Andrew Varney, 3.2:133-49.

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• Gaps and Stumbling-Blocks in Fielding: A Response to Černý, Hammond and Hudson
  Bernard Harrison, 3.2:147-72.

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• "Strange Meeting" Again
  Douglas Kerr, 3.2:173-85.

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• "Strange Meeting," a Fragment? A Reply to Muir's "Owen"
  Jon Silkin, 3.2:186-92.

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• Christmas as Humbug: A Manuscript Poem by Letitia Elizabeth Landon ("L. E. L.")
  F. J. Sypher, 3.2:193-203.

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• Notes from the Body
  Jacqueline Vaught Brogan, 3.2:204-06.

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• A Note on 'Notes from the Body'
  Alicia Ostriker, 3.2:207-08.

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• Reading Jacqueline Vaught Brogan's "Notes from the Body"
  Martine Watson Brownley, 3.2:209-12.

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• Reason in English Renaissance Humanism: Starkey, More, and Ascham
  Åke Bergvall, 3.3:213-25.

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• Shakespearean Tragedy: Its Christian Premises
  Roy Battenhouse, 3.3:226-42.

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• Was The Raigne of King Edward III a Compliment to Lord Hunsdon?
  Roger Prior, 3.3:243-64.

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• Faulkner and Racism
  Arthur F. Kinney, 3.3:265-78.

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• Antidrama—Metadrama—Artistic Program? Arthur Kopit's The Hero in Context
  Bernd Engler, 3.3:279-90.

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• Chivalry and Courtesy: A Comment on Richard McCoy, The Rites of Knighthood
  Thomas Kullmann, 3.3:292-302.

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• Shakespeare, Burgess, and Psalm 46: A Note in Reply to Paul Franssen
  William Harmon, 3.3:303-04.

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• Romance and the Didactic in the Eighteenth-Century Novel: An Elaboration upon Andrew Varney
  Brean S. Hammond, 3.3:305-11.

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• "But the poet ... never affirmeth": A Reply to Bernard Harrison
  Lothar Černý, 3.3:312-17.

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• "Strange Meeting" Yet Again
  Kenneth Muir, 3.3:318-20.

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