Connotations Vol.32
(2023)
Articles in this issue
- The Increasing Distance between De Doctrina Christiana and Milton’s Poetry: An Answer to John K. Hale
David V. Urban, 32:1-10. - Six-Word Narratives and Hybrid Genres in Digital Contexts: A Response to David Fishelov
Paola Trimarco, 32:11-16. - "The prismatic hues of memory" (DC 769): Visual Story-Telling and Chromatic Showmanship in Charles Dickens's David Copperfield
Georges Letissier, 32:17-38. - “Pride” in Byte and “Prejudice” in Bits: A Medievalist’s Perspective on Jane Austen’s Novel
Fritz Kemmler, 32:39-67. - Six-Word Stories as Autonomous Literary Works in Digital Contexts: An Answer to Paola Trimarco
David Fishelov, 32:68-79. - Auden’s “This Lunar Beauty”: Keats’s Urn and Hardy’s Tess
Clay Daniel, 32:80-94. - Historical Fetters and Creative Liberation in Shakespeare’s Julius Caesar: A Response to Angelika Zirker and Susanne Riecker
John D. Cox, 32:95-99. - Shakespeare's Julius Caesar and the (Re-)Invention of Tragedy: A Response to Angelika Zirker and Susanne Riecker
Thomas Kullmann, 32:100-113. - A Particular Trust: George Herbert and Epicureanism
Katherine Calloway, 32:114-144. - "I Wish I Were a Tree": George Herbert and the Metamorphoses of Devotion
Debra K. Rienstra, 32:145-164.